![semioticapocalypse:
British soldiers in Belfast, Northern Ireland. 1973.
[::SemAp::]](http://24.media.tumblr.com/9ab2d70cabf45b7df2a4e2eb76dbd1be/tumblr_mmkzvb0pDJ1qz4txfo1_500.jpg)
British soldiers in Belfast, Northern Ireland. 1973.
[::SemAp::]
![semioticapocalypse:
British soldiers in Belfast, Northern Ireland. 1973.
[::SemAp::]](http://24.media.tumblr.com/9ab2d70cabf45b7df2a4e2eb76dbd1be/tumblr_mmkzvb0pDJ1qz4txfo1_500.jpg)
British soldiers in Belfast, Northern Ireland. 1973.
[::SemAp::]

They say a picture is worth a thousand words. This one deserves more.
“I’ll never forget the day Marilyn and I were walking around New York City, just having a stroll on a nice day. She loved New York because no one bothered her there like they did in Hollywood, she could put on her plain-jane clothes and no one would notice her. She loved that. So as we were walking down Broadway, she turns to me and says ‘Do you want to see me become her?’ I didn’t know what she meant but I just said ‘Yes’- and then I saw it. I don’t know how to explain what she did because it was so very subtle, but she turned something on within herself that was almost like magic. And suddenly cars were slowing and people were turning their heads and stopping to stare. They were recognizing that this was Marilyn Monroe as if she pulled off a mask or something, even though a second ago nobody noticed her. I had never seen anything like it before.” - Amy Greene, wife of Marilyn’s personal photographer Milton Greene
“Nunca irei esquecer do dia em que Marilyn e eu estávamos andando por Nova York, apenas aproveitando um dia bom. Ela amava Nova York porque ninguém a chateava como faziam em Hollywood, ela poderia colocar suas roupas normais e ninguém poderia notá-la. Ela amava aquilo. Então estávamos descendo a Broadway quando se virou e me disse ‘Você quer ver eu me transformar nela?’. Eu não sabia o que queria dizer mas apenas disse ‘Sim’- e então eu vi. Não sei como explicar o que ela fez porque foi tão sutil, mas se transformou em algo que estava dentro dela quase num toque de mágica. E de repente carros diminuíam a velocidade e pessoas viravam suas cabeças e paravam para ver. Reconheceram que aquela era a Marilyn Monroe como se tivesse tirado uma máscara ou algo assim, pois até um segundo atrás ninguém a tinha reconhecido. Eu nunca tinha visto algo parecido antes.” Amy Greene, esposa do fotógrafo pessoal da Marilyn, Milton Greene.
Michael C. Hall and Jennifer Carpenter + Public Appearances (2007-2010)
Love them <3
Dietmar Eckell - Happy End, 2010-2013
Happy End is a photo-project about miracles in aviation history - 15 airplanes that had forced landings but ALL on board survived and were rescued from the remote locations. The planes remain abandoned.
Click on each image for details.
“Happy End” é um projeto fotográfico sobre milagres da história da aviação - 15 aviões que foram forçados a pousar mas TODOS os passageiros sobreviveram e foram resgatados de lugares remotos. As aeronaves continuam abandonadas.
Clique em cada imagem para mais detalhes.